Rick Snyder

O Miselle Passer!

Who now goes down that shadowy road
from which they say no one returns.
—Catullus 3

Gratingly smooth
flute and guitar,

announcements about bags
and items left by the unknown,

British-tinged accounts
of the same stories

in today’s Times,
staggering estimates

of this year’s cost of war,
prohibitions on smoking,

your cooperation,
passenger Edward Cho

and Agent Ashanti, 3221,
a potential cease-fire

in Gaza, Oprah’s body,
and just when you thought

it was piped in for people
too nervous and tired

to do anything but write in
Agent Ashanti, 3221, rush,

a geriatric script
on a folded knee,

a sparrow hops down the aisle
of empty blue plastic seats,

to which they say
everyone returns.

Red Tide

A big plastic plant sits in this room.
Outside the ocean runs through its scales.
Inside the ocean fish dart around
in theirs like random knights on the verge
of colliding, before they swerve to different
angles in an extra linear world
that is (theoretically) comforting
in its bounded lack of boundaries.
Time would be the opposite. If it
existed (as the ocean must) it would
go on forever. You could cut it as many
times as the market indicates. Divers-
ify. Fill it with plastic algae to feed
the valiant fishes floating up to shore.

Rick Snyder is the author of Escape from Combray (Ugly Duckling, 2009) and several chapbooks. His poems and translations have appeared in Aufgabe, Conduit, Fence, jubilat, Ping Pong, and other journals. His articles on modern and contemporary poetry and translation have appeared in Radical Society, Jacket, and Occasion. He currently lives in Long Beach, CA, and is an assistant teaching professor in the classics department at the University of California, Irvine.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom, winner of the 2017 Washington Prize, Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, New American Writing, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, Verse Daily, and VOLT.