Hirosuke Yabe

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Artist’s Statement

I make wooden sculptures that look like animal anthropomorphic creatures, sometimes monsters too. Actually I think that these are all humans. (A metaphor of the human condition.) “What is it to be human?” “What is the human being?” I am interested in these questions. I am also interested in the question of what is it to be Japanese. Sometimes humans are animals and monsters. Human beings have various aspects.

I sometimes imagine that my work looks silly, funny and the characters are foolish but also cute, lovely and sweet. Also sometimes they are expressionless and we can’t tell from their expression what they are thinking. In a sense possibly they are like the Japanese character… perhaps.

I have been making a series of works called Faithful Dog Man. Actually, when I make this work I imagine a “faithful person character” in my mind. Who is the Faithful Dog Man faithful to? What is the Faithful Dog Man faithful to? What country is the Faithful Dog Man faithful to? I sometimes put messages and humor in my work, like this. However I am not interested in directly telling people only an ironic message. Because I would like my work “people and creatures” to be loved by other people and me. I would like my characters to be loved by people, and my characters to feel close to people and me. Because they are always looking for a new owner.

Hirosuke Yabe was born 1972 in Kanagawa, Japan and received his B.F.A. in Sculpture from Zoukei University of Art in Tokyo in 2002. His work has been exhibited in group and solo shows at Cindy Rucker Gallery in New York (2018) and t-gallery in Tokyo (2016).
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.