Dennis Hinrichsen

DEMENTIA LYRIC :: unbeknownst

a short film on engram theory called the forgetting

was confusion substrate
all

along :: dispossessed

of memory he
basks

there now ::

a pre-death
uterine

clutching at nothing’s
wall ::

still
some part of what

I recognize
as him

wondering :: how did I get here ::

what purpose
is

contained
in next :: he roils in damp

covers saying this :: I watch him
roil ::

not even a bird
of

prey anymore :: there is no
grand

seeking :: he has woken ::
immediately

desires sleep ::
wants

to know how it is
he knows

me :: whatever constellation
of neurons

I am to him
dead-sky locked ::

as for emotion :: it is mine ::

I rub his neck and shoulders
as if to say

you possess
a body still :: this is how

blood moves ::
this

is a muscle :: I am
indicating

care with thumb and fingers
which

you will forget ::
it has

relaxed you
which you will forget ::

I have flown here I am

leaving
tomorrow before you wake ::

it will be
as if

I were never here :: gone ::

not even ghost :: memory
of ghost ::

therefore :: never grieved

TU•MOR•SE•QUENCE

(near the Palisades Nuclear Power Station)

that line from Whitman that still resonates in bone ::
that’s the chemo ::

as for the rest:: the world :: it drinks
its own urine::

it will drink its own radioactivity soon ::
lifestyle loaded to the edges

even now
with future :: children screaming

in warm water discharge ::
thyroid

still butterfly either side of the windpipe
pulsing

as they swallow ::
they

may have to love cancer
again :: fission

needs lake to survive ::
it happens ::

it’s accidental ::
if not here then… somewhere ::

spent rods
(that other malignancy) piling ::

how
dune sand dry-sizzles when I piss ::

eroding as poem erodes :: lines
(its cell walls)

that break and
break

until all I see are black trunks
uprooted ::

tumorous veins exposed ::
meanwhile

this language-stare ::
I have driven 100 miles in rain

to confront
the site :: and so I stand :: in rain ::

sky fallout ::
collateral damage :: feelings ::

I had them :: they needed burial somewhere

RE•AC•TOR•SE•QUENCE

cloud-turbine churning of moisture

high in the troposphere ::

wind off lake

drizzling clear
plastic ::

I think the

poem is big
enough

now it has sky in it ::
brain

still a field :: summer
dusk :: fireflies sparking

neuronal

gaps :: it would like to live
in the world

forever

the brain would :: its demise
will be

death of fresh
water :: the body

aquifer :: I can feel it
as self-

shining
dries :: handbacks leathered ::

spotted :: the cerebellar
pinching

at memory already
beginning

maybe :: neural nets

tearing :: knots
(that

kiss in the dark) ::

coming
undone :: I am

forever
‘twixt the wings of it :: wanting

to ride the overwhelm
and let

quantum purring ingest
this better

Eucharist :: body
and blood

of me :: raised by dogs ::

it can chew
and spit

the rest :: it can play
and bite

at fingers
until I am mineral

blown through hollow
bone ::

anonymous
(I

embrace this) cave-wall
portrait :: death

the portal :: death

yellow

and feral :: uranium-
pellet

spine loaded
to the

skull as I feed
atomic fracture to the air

Dennis Hinrichsen’s twelfth full-length collection, dementia lyrics, will appear early 2026 from Green Linden Press. Other recent books include Dominion + Selected Poems, gathering work from forty years of publishing, Flesh-plastique, schema geometrica, winner of the Wishing Jewel Prize for poetic innovation, and This Is Where I Live I Have Nowhere Else To Go, winner of the Grid Poetry Prize. He lives in Michigan, where he served as the first Poet Laureate of the Greater Lansing area.
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.