G.C. Waldrep

exilic topos

the pollen’s spark hidden in the air’s tongue

anterior to the presence that commands begin

in outline, an absence disappearing into voice

shadow-grid, concealed but not unobtainable

Tye River

(1)

light frost, its cincture

the fragrant invisible
at large
among the wheatfolds
a lucid finitude:
golden seals
the weather breaks

(2)

in priory, a held motion
succors
debt’s visible passage

shoaled with all
the organs of mourning

(3)

pity the dull orchard
its sleep-vestry
propped against Art

the mending-flame
or macular escarpment
pronouncing

the hawk’s ablative

(4)

enlaced with hoarfrost
the zodiac glides
to your filament-feet

or, suffer a firmament—

(5)

steady the lamp, friend
steady
the lengthening shadow

metric for flame

Northumberland

living memory of the ash-tree
groping, lending itself
to the gaze’s syllable-descant,

its instant, flung (as if away)

*

winter’s surface, its republic—

 

audible lamp reconnoitering

nucleus of means

the quince at dusk
expressing
its hitherto, its after—

its brief for change

(say it keeps a diary,
a voice
it supersedes)

dwelling beneath
the acknowledgment
of the staved
work, to which
the “truth of things”
condescends—

declines its own
belief in shadows—

nucleus of means
“the work”
(i.e. the vocation)

harvest
of the quince’s
bitter fruit, reversal

paring the terms
from mock solitude—

that wager
of, it would seem,
affirmation—

(or of its shadow)—

G.C. Waldrep’s most recent books are feast gently (Tupelo, 2018), winner of the William Carlos Williams Award from the Poetry Society of America, and The Earliest Witnesses (Tupelo/Carcanet, 2021). Recent work has appeared in APR, Poetry, Paris Review, New England Review, The Nation, Yale Review, Colorado Review, New American Writing, Conjunctions, and other journals. Waldrep lives in Lewisburg, Pa., where he teaches at Bucknell University.
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.

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