Marie Watt

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Artist’s Statement

My work draws from storytelling, proto-feminism, Indigenous teachings, and biography. It addresses the interaction of the arc of history with intimacy of memory. Blankets, one of my primary materials, are everyday objects that can carry extraordinary histories of use. In my tribe and other Indigenous communities, we give blankets away to honor those who are witness to important life events. In working with blankets, my process is both solitary and collaborative. Small works are personal meditations. Large works are often realized by community sewing circles: participants range from 3 to 93 in age, and no sewing experience is required. The intercultural fellowship around the table is as much a part of the work as the resulting artifact.

Marie Watt is a cross-disciplinary artist who makes Indigenous knowledge visible by drawing from obscured history, biography, Iroquois protofeminism, and Native Futurism. Her practice resides at the intersection of history, community and storytelling. Her site responsive work spurs individuals and communities to engage in dialogue surrounding their own histories and experiences of the world. These multi-generational, intercultural and cross-disciplinary conversations create a lens for understanding connectedness to place, one another, and the universe in its ancient and modern condition.
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About Posit Editor

Susan Lewis ( is the Editor-in-chief and founder of Posit ( and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.