Kit Warren

—click on any image to enlarge—


Artist’s Statement

This series plays with the overlap between a range of longstanding influences on my visual vocabulary: Indian miniatures, scientific imagery, musical notation and mapping.

Central forms suggest landmass, non-specific geographic shapes containing hundreds of brushed dots of gold acrylic and powdered pigment, the ground multiple layers of deep velvety color. While painting these dots, over time shapes form, figures emerge. I add more marks, figures disappear into their neighbors, and a larger shape appears. Depending on the angle of the lighting and the position of the viewer, the metallic paint shimmers like a scrim floating on the surface, concealing the underlying forms, or recedes into the surface color, revealing the marks more clearly.

The larger works function as externalized thinking–visual stories emerge and current events impinge on the painting, leaving indefinable traces. The smaller works are in some ways the children of the larger ones, products of their conceptual labor.

Kit Warren is a visual artist working in Brooklyn, NY. She graduated with a BFA from University of Pennsylvania, an MFA from School of Visual Arts, and a certificate in multi-media from NYU. Kit’s work has been exhibited internationally, and has recently been included in exhibits at PS 122, Park Place Gallery, The Cluster Gallery, LaBodega Gallery, SCOPE NY and The Painting Center. She has been awarded fellowships at Virginia Center for the Creative Arts, Saltonstall Foundation, and was a 2018 Mid Atlantic Arts Foundation Creative Fellow. This summer she will be a Conception Arts Fellow at the Chateau Orquevaux Residency.
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About Posit Editor

Susan Lewis ( is the Editor-in-chief and founder of Posit ( and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.