Telling
1.
I live as if
an angry woman
were shouting, “Say something!”
2.
Edges
of the vine-leaves
had a pink tinge,
a trick of the eye
one of us thought,
but we came back
to fully formed, hot pink
cup-husks
each one
with two yellow
eyes, protruding
on thin stalks
*
So this was
“the fullness of time.”
3.
We produce ourselves
by reading scripts
on current happenings.
(There is no telling
where I leave off
My Pleasure
Red brick pillars
prop the roof
of a corrugated tin shack.
*
It is my pleasure
and my privilege
not to understand this.
*
A swooping disc
of loud starlings
takes its evening spin
above the park.
*
Skinny horses
pulling carriages
bearing the logo
“Movistar.”
*
It is from this distance
that the object
resolves
into an image.
Going Somewhere
You have been incorporated
as a pass-through.
*
I like your style,
studiedly casual,
more yellow than green
and the green a slapdash
watercolor impression
of a leaf
on leaf.
You allude to yourself
in passing
and this works well,
if not for you
then for somebody.
*
Substitute optimistically!
The Wig
1.
As long as —
if —
a Harpo Marx wig
of virtual
adjectives
surrounds each thing:
a giddy frizz
of small round leaves —
why not? —
atop springy stems
rising
from the squat
fused trunks
of bursera
in the window
2.
Unclaimed,
expressions form,
unite,
and die back
on an infant’s face.
Turn
Even when not
searching for help
the eye turns
from yellow
tree to tree
in November.
*
The long, naked
gaze between old
woman and infant
is whole,
real as anything
will be now,
she thinks,
though she knows
the child won’t remember
this, will barely
remember her.
*
A locked gaze
is immersion;
she feels herself floating.
But now the baby
squirms.
Newborn
“Going to the chapel and
Gee, I really love you and we’re
Going to the chapel
of love,”
sang the Dixie Cups
to nobody
about no one
a long time ago
and a million people bought it.
The circular logic
already fully automated.
*
Some might say
this is (you are)
too convoluted, contrived,
airtight.
*
Small calm
amphibian,
your just opened eyes
see we can’t see what