Susan Bee

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Artist’s Statement
 

My newest paintings focus on apocalypses, fables, fantastic landscapes, and reveries. My paintings echo their sources while also addressing contemporary issues such as climate change, displacement, floods, and fire. These paintings translate mythological imagery from a diverse array of sources, examining how visual culture unfolds across centuries and contexts including deities from India. These mythical figures are placed in composite imaginary landscapes and mixed with playful abstracted imagery. A comparative mythology emerges as visual motifs repeat across canvases, prompting unexpected connections. In other paintings, I have created fantastical landscapes with transformative symbolic trees and wonderlands. In these paintings, the visionary and dreamlike imagery is explored with intense and vivid color and with a riot of linear and eccentrically shaped gestures: there are many textured layers of oil paint. My canvases are always meant to be materially present with vivid strokes, colors,and graphics. I keep my painting surfaces alive with active brush marks, color, collage, textures, and patterns; the surfaces are not polished to the point of illusion. Blending familiar gestures with the unexpected, my paintings pay homage to our individual and collective pasts while also confronting our present.

Susan Bee is an artist, book artist and editor. She has had eleven solo shows at A.I.R. Gallery in NYC. She has had solo shows at many other venues and her work has been included in many group shows. In 2024, Bee’s “Susan Bee: Eye of the Storm, Selected Works, 1981-2023” was at the Provincetown Art Association and Museum, MA. The show was accompanied by a 68-page full-color catalog with essays by curator Johanna Drucker, John Yau, and Raphael Rubinstein. Bee’s artwork and artist’s books are in many public and private collections and have been reviewed in numerous publications. She has published eighteen artist’s books included collaborations with Susan Howe, Johanna Drucker, Charles Bernstein, and Jerome Rothenberg. Her bookwork, including her unique and editioned leporellos, is represented by Central Booking and Granary Books. Bee was the coeditor of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues with Mira Schor from 1986-2016 and M/E/A/N/I/N/G:An Anthology of Artist’s Writings, Theory, and Criticism (Duke University Press, 2000). Her artist’s book archive and the M/E/A/N/I/N/G archive are at the Beinecke Library, Yale University. She has a BA from Barnard College and a MA in Art from Hunter College. She received a Guggenheim Fellowship in Fine Arts in 2014.
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.