Joanna Fuhrman

Three Video Poems

Cardinal

As we veer through the leafy branches of a forest, I remember that my mother who is steering the car has been dead for more than a year and I can’t drive, and my father can’t drive and my grandmother — who even though she is dead is alive and in the car with us — can’t drive either. The car keeps going, through patches of bark and black rivers, over sap-filled gaps that smell of pine. Why are you worrying so much, the earth is a mouth that can lick you clean, says the voice of the trees, or is it the voice of my mother leaving my own mouth. When I grab the wheel, I become the red blur of a cardinal, skittering too fast for anyone but God to see. I don’t believe in God or any gods. As I fly past the shadows of my parents, above my parents and through their flickering outlines, I myself am a kind of god and am surprised how small my parents appear skidding through the forest’s mud. I try to remember that my mother is dead, but I am looking down at her and I can see her face twitching. I still see her cherry red cheeks, her eyes.

 

The Weekender

 

There is no Q train today
The B train never runs on weekends

The 2 train is suspended or in perpetual
suspense

The 3 train is running on the 2 line
but not the 2 line in New York,
the one mapped out in blue light
drawn in crayon on the topography
of a sleeping face

The M train has been replaced with a shot
by shot reshoot of the 1931 film M,
this time directed by Ron Howard

The J train is telling jokes about jazz

The D train is a metaphor for all dark thoughts
or it’s the last character in a password
an AI created and forgot to share with humanity

The R and N trains are trading places Freaky Friday style
The 5 train is giving the ghost of King Kong a high-five

The 4 train is forsaking the scent of nostalgia
for the aftertaste of futuristic rage

The S train is tracing the lines
on a naked god’s infinity snake tattoo

The 6 train is polishing its six-pack
The E train is lacing ecstasy with exhaust

The C train and the A train are rumored to have eloped
but are actually in a polyamorous relationship
with the Z

The 7 train is hoarding all the luck

The G train is discovering its G spot
The F train says F you

Self-Portrait as Cloud

 

I feel most myself.
when—like today—

all of the sky
is a single

undifferentiated
cloud

when ice particles
break grammar

into something
resembling space

Joanna Fuhrman is an Assistant Teaching Professor in Creative Writing at Rutgers University and the author of seven books of poetry, most recently Data Mind (Curbstone/Northwestern University Press, 2024). Fuhrman’s poems have appeared in Best American Poetry 2023, The Pushcart Prize anthology, The Academy of American Poets’ Poem-a-Day, and The Slowdown podcast. She first published with Hanging Loose Press as a teenager and became a co-editor in 2022.

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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.