Sharon Dolin

Here is the body

—sonnet-cento after Ruth Stone

With casual thread between fingers
was I shoveled in with the others?
This was before the war:
too much salt, burned edges.

Who lives in the house when I’m away
in the heart of the eruption
your silent dialogue with me,
I will give you this one elastic day.

Your body naked, seized with its own grief.
“Here,” it says, “touch me here.”
Darkness that is and is not

could be heaven or hell or limbo.
I am an epidermal stranger.
You ripple through me like slant light.

But no one came      no one came

—sonnet-cento after Anne Sexton

There is no safe place
like an old stone tree
calling me, calling you
my sin and nothing more.

My green green hands
heard the new fruit drop
the believing money
myself, caught between

the grapes and the thorns
mouths calling mine, mine, mine
my face, your face

me with your garments
but not with grief
I am almost someone.

This is not what I meant

—sonnet-cento after Sylvia Plath

A vulturous boredom pinned me
to this tree     very quietly.
Let there be snakes
rayed round a candle flame

a melding of shapes in a hot rain
untouched and untouchable
some angel-shape worth wearing
with one tin eye.

Tongue a rose-colored arrow.
Mouth full of pearls.
Feet seem to be saying:

Gray birds obsess my heart.
It unclaps, brown as a leaf, and loud.
I shall never get out of this!

Sharon Dolin is the author of seven books of poetry, most recently Imperfect Present (University of Pittsburgh Press, 2022); a prose memoir entitled Hitchcock Blonde; and two books of translation, most recently Late to the House of Words: Selected Poems by Gemma Gorga (Saturnalia Books, 2021). The recipient of an NEA Fellowship, Fulbright Scholarship, Pushcart Prize, and Witter Bynner Fellowship, Dolin is Associate Editor of Barrow Street Press and teaches poetry in New York City.
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.