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C Culbertson

cure

not   a   dream   but   day,   day

I   would   stay   with   your   lonely   gaze

whose   remnant   yesterdays,   whose   micro-apocalypses,   whose
           lead   seasons.   whose

revelations   have   junked   cars   &   plastic   pelts.   whose   red
           vacancies   slur

:   burl,   wasp,   wax   architectural,   desert   fluorescence,   ambulances   blazing

landscapes.   the   climbing   atmosphere   unfocuses   us.   its   pleading   word
           exposes   gravity’s   labor.

           there   you   were   a   silhouette

I   would   stay   with   you.   I   would   stay   with   time

whose   dusky,  copper   cascades   of   sun,   whose   depleted  
           half-lives.   whose

remediations   make   useless   all   we   have   thought   about   who  we   are.   about
           the   ways of   being   we   would   not

rehearse.   whether   we   have   conjured   all   of   this   after   all

:   flickering,   cusp of,   morning,   unsung,   but   nearly   voiced

If   I   could   remember   more.   If   I   could   ask   you

           are   they   shadows   then?  

           would   they   speak   if   we   asked   them?

:   I   dreamed   a   word   for   sky,   was

water.   I   climbed   through   &   put   my   head   out   after   it.   was
           another   surface,   another   sky

The red works

are a memory I keep remembering & the caresses, yes, the remonstrations too

 
/
 

De-person, de-occurrence; appreciate the damage that accumulates

                                                               warmth        I’ve ever felt

  1. (transitive) To take away essential attributes of a person
  2. (transitive) To take away essential attributes of a felt space

 
/
 

I start to worry that its (my) dimensions are flattening

: in         

between            pulse                                                       & fever
body-self          plastic,                                                     & fluctuating
a thicker                                                                           awareness                                 
reaching                                                  what                 touches            
permeates                                               furnishes                      
skin-to-skin                                              contact
alight in                                                                             conflagrations

 
/
 

It is for the familiarity of a space to lapse, & what fills the space after it, that presupposes
the body hardened in light,

What has afflicted, irrupted/ imaged, there on the screen; in washes,

thrown           fragments,        gathering                             what                     lush 
                      silences                                                                                    motion            

It’s come, it’s here; what has been taken over, what is seen out from
constituted in establishment shots, jump cuts, eyeline matches, dissolutions,

& all the rest
 
/
 

Lens that sees but does not want to see, as if forced by machineries that are
not of the thing in itself; fear

I’d find myself alive in its facsimiles, replications, imprints, meaning embroidered in, of, & encased in thread

The attempt at articulating the attempt, not so much in discontinuities but

startling constants,            infinite

palpable                                     bitter                                                        its indulgent
sighs                 but                    still                                                           brackish, & tender
heat

 
/
 

Writing isn’t enough & I can’t I’ll never make it or make sense of what this is;
I allow myself to be emptied out completely          

                                       : river’s blur

naming
closures
but
distant
calling
repetition(s),
sensing
is clear
sounds
 
again
 
 
 
 
open
another name,
means to close
& again
 

think of
shut,
the distant
 

           
 
/
 

Maybe the way to tell it (to take care) is that often I get quiet, & coming-to, must memorize the names I’ve let slip

Because I’m still finding new pages, passages in shelves & in the walls of this place

deathless                                                              pine                               glimpsing
feather skin                  glimmering                      & sun               

Timbres interpenetrating/ fibrous, ever written, cut-out-in-the-open, inasmuch of an eye or a face or a hand, held aloud for anyone whose visiting steps stop to ask why                                                                            
 
/
 

Here will be the center that many conflicting feelings emerge & form alongside the body, its limbs, tangle of ears & noses & skin, in space as in being,  inclined to embrace the sensuous agonies of the world                                                                                  

                                       : worlding

duration
erasure
universal
separation
language
sovereignty
collective
atomization
poverty
dialect
extinction
verdict
ellipsis
marginal
rebellion
becoming
void
script
territory
aura
function
excess
universal
impulse

 

 

 

/
 

I’m acutely aware how being-sick turns attention to the self, after the truth that,
yes, there is a world out here, such as it is, teeming & vulnerable

uncovered,                    branched                      the    body’s                 rejections
                
            & smoke kept                                                                             refusals 
                                              in cupped palms,             
                            dispersing   
    
 
/
 

There are so many ways to say memory I am stunned into it; all that’s left is to
languish in the morning lonely

                            brush of                                                                       nebulae
adjusting                                                              my own body,              sunlit rustling

& finally, I trace an intensity; reverberations of affect echoing

 

                                 listen

 

                                                                                           tinges
frenetic plucking,                                                                                      of stillness
                                                                                                         also

C Culbertson is a third year MFA candidate and Gill-Ronda fellow at Colorado State University, where they are an associate editor at Colorado Review. Recent poems can be found in Nat. Brut and Bomb Cyclone.
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