Andrea Burgay


—click on any image to enlarge—


Artist’s Statement


I find inspiration in the cycles of destruction and renewal that mark the passage of time. I
am interested in worthlessness and potential, finding meaning in materials that have been
discarded. I am interested in memory and examining the past, especially the potential of
imagination to confuse and create new memories.

My Fictions series of sculptural collages on deconstructed books and magazines are
colorful, densely layered objects that bear the markings of their visceral transformations.
The covers or interiors of these books are collaged, then taken apart and reassembled—
destroyed, then transformed. This process results in works that evoke both deterioration
and growth.

I imagine that these objects have taken on lives of their own, neglected and ignored stories
pouring out of them and mixing. Some books explode with color, others are eaten away,
ravaged by time. Either documents of the past or reimagined fictions, these objects no
longer communicate what they once did, but now explore realms of remembrance and
projection, nostalgia and evolution. They are invitations to reimagine the past and the

Andrea Burgay is a visual artist from Syracuse, NY, living and working in Brooklyn, NY. Her
work combines collage, painting, sculpture and found materials to elevate the overlooked and the mundane via transformative processes. Through adding and removing layers of handmade and collected materials, her works harness both destruction and decay to create a sense of potential renewal. Her work has been exhibited in galleries in Genoa, Paris, Warsaw, New York and
throughout the US. Her solo exhibition Mining the Ruins: The Library was shown at Northwest Missouri State University, Maryville, MI in 2019. Andrea is also founder and editor of Cut Me Up, a participatory collage magazine and curatorial project.
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About Posit Editor

Susan Lewis ( is the Editor-in-chief and founder of Posit ( and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.