Christina Haglid

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Artist’s Statement

There has always been an intersection between the process of writing and painting in my work. It has somehow been my guide. In the last six years, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it’s a reminder of what painting is for me – something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the figure as psychologically inspired narratives comment on the strength vs. fragility of life. Items in a painting are like words on a page. Objects, spaces, and most importantly light are placed to create meaning similarly.

Christina Haglid exhibited her artwork with Ann Nathan Gallery (1997-2016) and is now represented by Gallery Victor Armendariz in Chicago. A graduate of the Maryland Institute, College of Art, Haglid attended Skowhegan School of Painting and Sculpture in 1990 and has an M.F.A. from Cranbrook Academy of Art. Her artwork has been included in numerous gallery exhibitions, art fairs, and museum shows including Loyola University Museum of Art, Illinois State Museum, Greenville County Museum of Art, Art on Paper New York, Art Chicago, and Art of the 20th Century at the NY Armory. She is based in Chicago, IL.
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About Posit Editor

Susan Lewis ( is the Editor-in-chief and founder of Posit ( and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.