Gray Rainbow (2020) Emerald (2020) Bright Ocean (2020) Canopy (2019) Closed Skies (2020) Grotto (2020) Little Moon (2019-2020) Monolith No.4 (2020) Neowise (2020) Night Waves (2019-2020) Paper Boat (2019-2020) The Ocean (2019-2020)
—click on any image to enlarge—
There has always been an intersection between the process of writing and painting in my work. It has somehow been my guide. In the last six years, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it’s a reminder of what painting is for me – something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.
My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the figure as psychologically inspired narratives comment on the strength vs. fragility of life. Items in a painting are like words on a page. Objects, spaces, and most importantly light are placed to create meaning similarly.