Mary DiDoardo

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Artist’s Statement

There is a visceral connection between viewer and painter through the surface reading of a painting. All of my research is made visible in the sensuality of oil paint, its luminosity and chameleon shifts of color. I find it difficult to breathe new life into a brush stroke but can charge expression into/out of these uniform lines through process that comes from alternately working line within, around and through the field. This process integrates and embeds the line and keeps it from being simply a design element. It draws the space. The many stages are visible and are there for the viewer to read. Consistent in most of these paintings is the underlying evidence of previous stages rising to the surface through layers built up and scraped down, enriching the final version.

Mary Didoardo is a long-time resident of Long Island City, NY. She was born in New Jersey and has lived in New York City since graduating from Pratt Institute, where she majored in sculpture. Over time, painting prevailed over sculpture, but her paintings manifest a physical and process-driven sensibility oriented in early explorations with materials. She has had two solo shows at the Kathryn Markel Gallery in 2016 and 2019. Her work was represented in “ROY G BIV,” a 3-person exhibition in 2018 at the Chautauqua Institute. She is a two-time recipient of The Enrico Donati Foundation Grant. Her work was reviewed in Too Much Art, Writings on Visual Culture by Mario Naves, who wrote: “Didoardo’s abstractions are characterized by a bracing sense of freedom. They evince an artist working not only with an enviable surety, but one welcoming of risk – which, of course, puts surety to the test. That approach may be standard operating procedure for certain strains of abstract painting, but it’s one thing to make the claim, another to pull it off. Didoardo pulls it off, and then some.”

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About Posit Editor

Susan Lewis ( is the Editor-in-chief and founder of Posit ( and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.