Viviane Rombaldi Seppey

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Artist’s Statement

My work is informed by my nomadism between countries, languages and ways of seeing or thinking. My Maps Series in particular explores my identity and heritage through geographical and road maps found in my childhood home after my father’s death. The maps I use are the carrier of my personal and family migrant history. They are the support of my individual experience and of our collective knowledge.

In the artwork, the maps are drawn, cut, painted or assembled to create three-dimensional objects and works on paper. The printed matter that I transform retains its integrity as a public document, while it simultaneously holds fragments of my personal migratory journey. In an age of technology and electronic tools, the maps reflect an in-between world. By examining the tactile quality of paper in the creation of sculptural objects, I explore my own personal displacement experiences and question the inherent transience of the surrounding world.

My work becomes the witness to my migrating life and my interaction with individuals, places, and memory. The long, fastidious, repetitive action of my creative process both physicalizes and metaphorically reflects the time that it takes to integrate into new environments.

Viviane Rombaldi Seppey’s work explores personal and collective understandings of place, and is informed by her migratory upbringing and experiences. Born in Switzerland of Italian descent, Seppey has lived on four continents and is based in New York. Her work incorporates maps, phonebooks, photographs, magazines, and other materials into intricate installations, collages, sculptures, and drawings. She holds an MFA from RMIT Melbourne, Australia, and has exhibited at numerous institutions worldwide, including the Museum of Contemporary Art, North Miami, FL; the Bronx Museum of the Arts, NY; the Hunterdon Art Museum, NJ; and the Art Gallery of New South Wales, Australia. Please visit vivianerombaldi.com for more information.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom, winner of the 2017 Washington Prize, Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, New American Writing, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, Verse Daily, and VOLT.