Jaynie Crimmins

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Artist’s Statement

What I do: I fabricate objects with meticulous handmade details that are counterpoints to the banality of their materials. Repurposing marketing tools from consumer culture, I shred and create with solicitations, safety envelopes and catalogs that are difficult to recycle because their inks have high concentrations of heavy metals. Deconstructing these materials reshapes their formulaic messages into narratives of personal interest. As interpretations of natural structures and architectural elements, my forms are indelible impressions from recollections and observations. Rolling, folding, sewing and fabricating the shreds into intimate sculptural reliefs produces works that explore surface and texture, becoming meditations on consumerism and waste.

Why I do it: nothing seemed to make it into the trash in the apartment of my Eastern European grandparents. Discarded clothing became crocheted rugs. Old curtains became aprons. Leftovers became the ingredients for new meals. Nothing was wasted, everything possible was reused. Castoff items became novel and compelling in their metamorphosis. Combining this sensibility with the shredding of junk mail illuminates the physical acts of deconstructing and repurposing. The power of transformation, frugality, ingenuity and handmade quality drive my practice.

Jaynie Gillman Crimmins, a Brooklyn based artist, creates alternative narratives from quotidian materials. Her work has been exhibited at ART on PAPER; SPRING/BREAK Art Show; Governor’s Island Art Fair and the National Museum of Romanian Literature in addition to museums throughout the United States. Crimmins has a long history of community work, currently volunteering in the Guggenheim Museum’s Learning Through Art Program. She holds two degrees in Art Education – a BS from the State University College at Buffalo and MS from the College of New Rochelle, with a minor in Art Therapy. She is represented by K. Imperial Fine Art, San Francisco, CA and shows at Mason Fine Art, Atlanta, GA.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom, winner of the 2017 Washington Prize, Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, New American Writing, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, Verse Daily, and VOLT.