I am interested in textiles, especially clothing. Fabric preserves the essence of its maker; traces of the wearer become entwined with the warp and weft, allowing physical objects to become containers for memory.

This interest in fabric and embroidery started with some family heirlooms: a collection of beautiful and intricate Irish white work hand made by female relations. More recently, an embroidered christening robe that has been in my family for over hundred years inspired a major body of work. Through this work I examined my family links and ties to the past. I examined how delicate life is, and how the states of birth and death can be similar in their fragility and vulnerability. This body of work grew and developed to encompass many other thoughts and feelings, and I realized that these ‘little dresses’ could be interpreted in a variety of ways by both the viewer and maker.

The universal themes of birth and death are still woven through my work, yet I am increasingly starting to explore how clothing acts like a second skin, and how these items are inexplicably interlaced with narrative. ‘Empty’ dresses hang like skeletons in our closets, bound with the memories the (absent) body still holds inside.

Glass, for me, is the perfect medium to encapsulate these transient notions. Glass offers endless sculptural possibilities and is full of contradictions- a mirror of life itself. The process of making is intrinsic to my practice and I am fascinated by the interface created when glass is used in conjunction with other processes and techniques, for example photography, printmaking and textiles.