Sonja Johanson

Gneiss

At least
reinvent
destiny
tatters
within geological strata
toss them into
a       billion
little
days
All of them

erasure, Anne Rice, Taltos, p.10
Pinnae segments from fertile fronds, Sensitive Fern, Onoclea sensibilis

Divinity

choose
to
fall into
quantum physics
tracing the path of particles
within
this
brimming world
this
empire                      of                      paper
zeal

erasure, Anne Rice, Taltos, p. 470
simple leaves, Pincushion Moss, Leucobryum glaucum

Bradbury

orange
black
mixed and ready,
dying in the air.
a discreet
cleft.
night,
came again,
dark and distinct,

erasure, Anne Rice, Taltos, p. 120
capsules and berries, Japanese Spindle and Privet, Euonymous japonica and Ligustrum compactum

This series of erasures use the Anne Rice novel Taltos as their source text. I elected to perform these erasures using plant materials as a way of celebrating and mourning our current ecological state; the breakneck speed of climate change and globalization is easily observed by those working in horticulture and conservation. These plants represent both native plants that are threatened by habitat loss and the non-natives that are replacing them. In selecting materials for these erasures, I looked for plants that were accessible in the New England landscape during the month of October, and sought diversity of form, texture, colour, and botanical structures.

Sonja Johanson has recent work appearing in THRUSH, Bellevue Literary Review, and American Life in Poetry. She is a contributing editor at the Eastern Iowa Review, and the author of Impossible Dovetail (IDES, Silver Birch Press), all those ragged scars (Choose the Sword Press), and Trees in Our Dooryards (Redbird Chapbooks). Sonja divides her time between work in Massachusetts and her home in the mountains of western Maine. Follow her at sonjajohanson.net.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom, winner of the 2017 Washington Prize, Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, New American Writing, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, Verse Daily, and VOLT.