Eozen Agopian

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Artist’s Statement

In my artwork I create visual parallels between rational and cosmological worlds through constructing and deconstructing, layering and erasing, scraping and marking, unraveling and reconnecting. I incorporate techniques of drawing, painting, sewing and weaving. I started using thread in my work more than twenty years ago. I liked the practical properties of the material, thread’s use to put things together, to mantle, to unify. Threads also soothed my desire for fluidity: I could manipulate them to create mass, sculptural forms, to penetrate the canvas or just leave them loose. I would sew different layers of colored yarns to create chromatic filters where underneath you could see shimmering shapes.

Eozen Agopian was born in Athens, Greece. She received her MFA in Painting from Pratt Institute (1993) and her BFA from Hunter College (1989). Her first solo show was at Michael Wall Gallery (N.Y. 1993). Since then her work is shown in several solo, three person and group exhibitions in Greece, France, Italy, Germany, China, Russia and the United States, such as, Shiva Gallery of the John Jay College (New York), Fox Gallery NYC (New York), Lesley Heller gallery (New York), Hellenic American Union (Athens), AAW Gallery, (Beijing), Museum of Contemporary Art of Crete (Greece), State Museum of Contemporary Art, Thessalonica, (Greece),Smack Melon (New York) In 2014 she was a resident artist at the Triangle Arts Foundation in Brooklyn. The last years she lives and works both in New York and Athens. Currently she has a solo exhibit at the Consulate General of Greece in New York. Her next solo show will take place at Eleftheria Tseliou Gallery (Athens, Greece) in the Spring of 2019.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom, winner of the 2017 Washington Prize, Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, New American Writing, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, Verse Daily, and VOLT.