Raven Halfmoon

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Artist’s Statement

Over the past year, I have been focused on producing a body of work that reflects how I feel both as a woman and an American Indian living in the 21st Century. In this body of work, I have strived to illustrate how I feel about the ancient legacy of my heritage while at the same time acknowledging the modern day and age. Each piece reflects my understanding and interpretation of Caddo tribal culture and the fight to maintain a place for it in today’s world. With the election of a new president, climate change and social oppression, it is more important than ever before to have a unique voice, express it, and strive to make it heard. In my work I try to explore themes of “the other,” cultural appropriation and history. With my work, I hope to create awareness and address issues that affect people who share a similar story. Through my installations, I hope to tell a story both of how one understands self and culture, but also what defines these ideals in America today.

Raven Halfmoon is from Norman, OK. She attended the University of Arkansas (Fayetteville) where she earned a double Bachelors Degree in ceramics/painting and cultural anthropology. Her work has been featured in multiple exhibitions throughout Oklahoma, Arkansas, Kansas, Texas, Montana and California. She enrolled in the Post-Bac at the University of Oklahoma and was also accepted to several short term residencies from 2015 to 2016. In 2017, Raven completed a long-term residency at the Red Lodge Clay Center in Red Lodge, Montana. Raven is currently based just outside of Dallas,Texas where she is working to establish her own studio and continues to produce work at Texas Women’s University.
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About Posit Editor

Susan Lewis (susanlewis.net) is the Editor-in-chief and founder of Posit (positjournal.com) and the author of ten books and chapbooks, including Zoom (winner of the Washington Prize), Heisenberg's Salon, This Visit, and State of the Union. Her poetry has appeared in anthologies such as Walkers in the City (Rain Taxi), They Said (Black Lawrence Press), and Resist Much, Obey Little (Dispatches/Spuyten Duyvil), as well as in journals such as Agni, Boston Review, The Brooklyn Rail, Conjunctions online, Diode, Interim, New American Writing, and VOLT.

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