Nicolette Wong & David Heg

The Classroom

You have left for tomorrow
like the rhythm of rust

reverberating through
the blinds—darting,

gasping, fleeing the day
we pressed our hearts

against the glitter
of wisdom, our being

choked on a voiceless
command—be still,

be pliant, be the words
translucent as dust.

 

The Waiting Room

It must be rain inside the walls. The rain of a child’s cries, a red swing against the grey sweetness of sky. A hollow to stifle, rocking in the cold front. Of ciphers discarded on the doorsteps, lips bleeding into porcelain shards to let live. Come back, come back, to the call of faceless drinkers pleading for histories, in a room of dust singed by erasure. For I will wait, I will wait to touch their voices, punctured by rain.

Nicolette Wong is the editor in chief of A-Minor Magazine & Press. Her writing has appeared in Bellingham Review, Crab Orchard Review, Escape Into Life, Thrush Poetry Journal and other venues.
David Heg is a photographer and educator currently manifesting in the wooded hills of eastern CT. His work has appeared on the cover of Nicolette Wong’s poetry chapbook, Stone Bride Madrigals, and the online zines, Negative Suck, Dark Chaos, A-Minor Magazine, Revolution John and Otoliths.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of nine books and chapbooks, including Heisenberg's Salon, This Visit, and State of the Union. Her tenth book, Zoom, was awarded the Washington Prize and will be published in 2018. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, and Verse Daily.