Brece Honeycutt

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Artist’s Statement

My studio is both outside & inside. As I walk outward to soak in the place, to trod the fields and forests, my pockets fill with the landscape’s treasures — birch bark with its dots and dashes, unfurling hornet’s nests, fallen flowers & leaves, cast off feathers; at the same time, my mind undertakes the cataloguing of the daily changes — freshly sprouted spring ephemerals, the autumn return of the junco, the mint filled with feasting honeybees. Later, these findings and sitings become marks on both paper and cloth and imbue the interior with the spirit of the exterior. The acts of dyeing and stitching bring me back to the glimpsed lichen on the tree, the lines on the birch bark, the frozen ice on the pond and the sounds of the birds in the trees.

“Our eyes see what is outside in the landscape in the form of words on paper but inside, a slash or mark wells up from a deeper place where music before counting hails from.” Susan Howe, Debths (New Directions, 2017)

Brece Honeycutt makes nature-based and history-based drawings, sculptures and installations. Her installations have been placed in university campuses, historic houses, inner-city parks, office buildings, libraries, urban markets and galleries. She collaborates with artists, students, historians, gardeners, poets, and dancers. She documents living “on a colonial farm” in her blog, often contrasting the contemporary with the colonial. Honeycutt holds a B.A. in Art History from Skidmore College and an M.F.A. in Sculpture from Columbia University. In 2017, she had a solo exhibition, bewilder at Norte Maar (Brooklyn, NY), accompanied by a catalogue with an essay by the art historian Anne Swartz. She exhibits in galleries and museums both nationally and internationally, and her work resides in museums and household collections.
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About Posit Editor

Susan Lewis (susanlewis.net) is the editor of Posit (positjournal.com) and the author of nine books and chapbooks, including Heisenberg's Salon, This Visit, and State of the Union. Her tenth book, Zoom, was awarded the Washington Prize and will be published in 2018. Her poetry has appeared in such places as The Awl, Berkeley Poetry Review, Boston Review, The Brooklyn Rail, Cimarron, Gargoyle, The Journal, The New Orleans Review, Prelude, Raritan, Seneca Review, So to Speak, Verse, and Verse Daily.