- Horace and Isabel (2014)
- Delta Force (2016)
- The Death of Belhaven. Party with Villains (part two) (2016)
- The Historical Origin of Diabetes: Or, Black Power/ White Wealth “Suiker.” All of Europe like, “Let’s get it” and everyone else like “nah bruh.” (2017)
- La Mort D’Anibal (2014)
- Ma’atism. The pleasure principle. When laws were stern and justice stood. Ma’at and Isfet, two halves of the whole while everyone else trying to get paid, get over, or simply stay alive. Twirling silently in space. (2017)
- Irene of the Sisters of the Red Wood (2014)
- In Klingon (2017)
- The Codex Afrothenia featuring the death of Archimedes of Siracusa. Or Prometeo del Oro (2017)
- Zenithing in the time of yeah, it’s all good mostly.” Break the chains! Stele for the coronation of Horace and Isabel, the King and Queen of Harlem. (2017)
- A Bonneville (for Lafcadio). Or, The fall of Olympus is warranted so that the tyranny of Western civilization is deaded in the crib. (2017)
- Map of Alta California before the discovery of gold (antes de oro) (2016)
My name is Umar Rashid. Not too long ago I made art under the alias Frohawk Two Feathers. I create historical fiction (rooted in actual historical fact, if there truly is such a phenomenon) dealing mainly with issues of colonialism, identity, race, gender, and politics. The “Frenglish Empire” (A merger of the colonial era empires of France and England) is the vehicle for my tale. My work has taken me all over the globe, to lowly hovels and great halls. I’ve been working in an episodic fashion for the past 12 years, parceling out the day-to-day of the empire in short, concise bursts, in order to keep the material fresh. I also do a bit of culture clash and time travel within the work, in an effort to engage a broader base. Hip hop, fashion, the streets, and gang culture factor heavily in my oeuvre. And as a self-taught artist, I borrow greatly from varying methods of art-making, from Native American ledger drawings to Romantic era paintings, African and Caribbean folk art, fetishes, and map-making. My current focus is the Western United States, stretching down through all of the vice-royalties of the colonial Spanish Empire (roughly Mexico to the Tierra del Fuego). I diverge from my narrative from time to time only to create content, and context to support it. I will never run out of material within my lifetime.