- Self-Portrait 4 (1995)
- A Song for My Mother (6) (1995)
- The Cat Approaches (1974)
- Something to Say (2017)
- Tomorrow’s Promise (2017)
- Balance (2017)
- Lament (2016)
- Stone Memories (2014)
- Untitled (d4) (2012)
- Almost a Bride (2015)
- Watching and Waiting (2017)
- Burial (2010)
Most of my work comes from many marks I put on the surface. Then one shape pops out and starts to speak to another shape, and I just sort of put them in touch with each other until a feeling emerges and I develop it. When I worked earlier with symbols, I created the shapes. I would have something or someone in mind and draw those shapes until one appeared, and I would say, “That’s the one!” Later the marks were all from my unconscious. It becomes a very intuitive process. I am as surprised as the viewer very often because I don’t always know why or how I arrived at a certain painting, but what I do know for sure is it is from my gut and it’s honest and real and speaks its truth. Sometimes they reveal something to me; sometimes it’s not so clear. But either way something strong and emotional is being communicated.
In between my primary interest of abstract /figurative work I do series of self portraits which always satisfies a deep emotional need in me.
I would say endurance is just built into my constitution. I don’t do things halfway or give up easily. If I lose something I will spend hours, days, or weeks till I find it. I resolve every painting I do and won’t let it leave the studio until it feels absolutely right to me. At almost 74 now, my knees and back are giving me trouble (welcome to the club), but I won’t stop painting what is in my heart, and I will never retire! Anyway, have you ever heard a painter say they have retired? No….they just paint till they can’t anymore.