What I like to do most of all is wonder. This Is what sets my work in motion. When I wondered what ‘negative space’ could possibly be or if it existed all, I began an investigation in my work that would span two decades. Questioning that one standard, but obsolete, phrase from the language of painting, propelled me through numerous media like blow torch paintings on wood, burlap bag installations and a substantial body of work on black velvet tarpaulins with extracted markings, text, images and at times, projections. It was also the basis for my thesis.

In 2010, I felt that my investigation had led me right back to painting itself. After two decades I began to paint on canvas once again. I felt that what I had studied, learned and experienced about space must now be synthesized. I had to trust that my findings would present themselves on canvas. I began to wonder about gravity and drops and how many drops did a space need to comprise a form. How many intersections would cause a direction change in the line and on and on, on and on, I wonder.