- Yukon Gold (2014)
- Parallel Play (2013)
- Copper Cloud Picnic (2014)
- Pre-Columbian Rave (2014) (alt. view)
- Dorothy’s Fence (2014)
- Pre-Columbian Rave (2014)
- Pronghorn (2014)
- Bio Rad #1″ (2015)
- Bio Rad #2 (2015)
- Potato Still Life (2013)
- Spud Satellite (2013)
- Perched Potato (2013)
My work focuses on the creation of illusory acts of tension within a forced fusion between what is seemingly organic in form/behavior and what is clearly machined. The Organic, epitomized by my use of rough surfaces and plant-like shapes, is determined by Nature –in various states of decay. The Machined, as suggested by the clean lines of the slip-cast objects and the architectural resin panels, is fabricated by the rules of Man -products of our intent. Both, however, can be equally represented as natural. The machined object is the result of our ability to operate within the parameters of natural systems. The organic object is an agent that symbolizes a moment within these cyclical systems. The difference between these two lies within their inherent goals: the organic is predicated by a struggle for survival, whereas the machined is predicated for efficiency.