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Marcia Arrieta

buttons & the alphabet

scream away. indicate approval— .
at night deer come & graze on my bed.
writing translation shift postcards, leaving, estrangement.
books on the coffee table prescribe conversation.
I cannot afford insignificant. let us remind one another
of inspiration, of completing our sentences, of writing
legibly. thread & islands. boots & castles.

I often feel like an orphan.

incognito

shake the martini in Memory of the road & Spanish olives

[today there is a yellow butterfly in the garden & everything is dreadfully calm]

add hypothetical disarray.

[enter the art gallery]

primary colors & a dragon’s gaze

[refuge Pleiades]

history appears in the guise of an introduction

[unravel civility]

less than a century

maps & canvases

feathers & pens

*

the goldfish is in flight

*

mirrors reflect happiness

if only erased

*

knowledge transforms

*

follow the water

the details are in the trees

Marcia Arrieta is a poet, artist, and teacher. Her work appears in Web Conjunctions, So to Speak, Ellipsis, Cold Mountain Review, Eratio, Catch & Release, BlazeVOX, Melusine, The Blue Hour, Counterexample Poetics, and The Last VISPO Anthology, among others. The author of one poetry book, triskelion, tiger moth, tangram, thyme (Otoliths), and two chapbooks, experimental: (Potes & Poets ) and the curve against the linear (Toadlily Press’s Quartet Series—An Uncommon Accord), she has an MFA from Vermont College. She edits and publishes Indefinite Space, a poetry /art journal.
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